What to Read First: A Reader's Guide to Unfamiliar Literature
Browse Authors by Last Name A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
username password

Forgot username or password? Not a member yet? Registration is free.

A Good Place To Start

TitleVotes 
As I Lay Dying 1
The Sound and the Fury 1
Light in August 1
Go Down, Moses 1
The Hamlet 1

A Bad Place To Start

TitleVotes 
As I Lay Dying 1
The Sound and the Fury 1

Genres

add genre

None

William Faulkner

added by editor

Comments

post a new comment

Please consider recommending where to begin reading this author, or where not to. A few words about your experiences reading this author and why you make the recommendations you do will be helpful to other users. If you are the author or have studied this author extensively, please say so.

tripst3r February 6th, 2006 10:04 AM PST

The thing about Faulkner is, do you start with something with a nice, neat, single narrator, told in more or less standard English (which can be fantastic literature) or one of the more narratively adventurous works (which are fantastic in addition to being spectacles)? For a general reader, I lean toward the former, since it introduces you to his themes and settings and attitudes without being distracted by trying to figure out what's being said.

Biography

Please consider entering an additional brief biography here. You can Google this author by clicking here.

add biography

William Cuthbert Faulkner (September 25, 1897 – July 6, 1962) was an American novelist and poet whose works feature his native state of Mississippi. Regarded as one of the most influential writers of the twentieth century, Faulkner was awarded the 1949 Nobel Prize for Literature.

Faulkner's writing is often criticized as being dense, meandering and difficult to understand due to his heavy use of such literary techniques as symbolism, allegory, multiple narrators and points of view, non-linear narrative, and especially stream of consciousness. Faulkner was known for an experimental style with meticulous attention to diction and cadence, in contrast to the minimalist understatement of his rival Ernest Hemingway.

See complete bios...